\SetTitle{The Invisible Man}
\SetAuthor{H. G. Wells}
\SetPDFX[FOGRA39]{X-1a:2001}
\SetApplication{}
\SetProducer{}

%\SetTrimSize{6in}{9in}
\SetMargins{0.625in}{0.625in}{0.625in}{0.75in}     %{top}{outer}{bottom}{inner}

%\SetParentFont[%
%    Path=content/fonts/,%
%    SmallCapsFeatures={Renderer=Basic},%
%    Kerning=On,%
%    Ligatures=TeX,%
%    ItalicFont=EBGaramond12-Italic.otf,%
%    SmallCapsFont=EBGaramondSC12-Regular.otf,%
%]{EBGaramond12-Regular.otf}

\SetParentFont[%
    SmallCapsFeatures={Renderer=Basic},%
    Kerning=On,Ligatures=TeX,%
]{fbb}% a nice Bembo clone
\SetMonoFont{Latin Modern Mono} % Libertinus Mono is too wide

\SetHeadFont[Numbers=OldStyle,%
    Letters=SmallCaps,%
    Letters=UppercaseSmallCaps,%
]{\parentfontname}
\SetVersoHeadText{The\, Invisible\, Man}

\NewFontFace\fancydropcap{fbb}
\SetDropCapFont{\fancydropcap}

%\microtypesetup{factor=2500}
\microtypesetup{protrusion=false} % it looks odd with the Bembo font

\usepackage[english]{selnolig}
\nolig{Th}{T|h} % the Th ligature is rather distracting

\SetChapterStartHeight{13}
\SetChapterFont[Letters=SmallCaps,Letters=UppercaseSmallCaps,LetterSpace=20,Scale=1.33]{\parentfontname}
\SetSubchFont[Numbers=Lining,Scale=2.5]{\parentfontname}

\SetFontSize{12pt}
\SetLinesPerPage{26}

\SetHeadFootStyle{5}
\SetHeadJump{1.75}
\SetFootJump{1.75}

\SetPageNumberStyle{--\enspace{}\thepage{}\enspace{}--}

\setdefaultlanguage[variant=british]{english}

\newcommand{\twoemdash}{%
	\makebox[2em]{\bigemdash}%
}
\newcommand{\threeemdash}{%
	\makebox[3em]{\bigemdash}%
}

\newcommand{\Mr}[1]{Mr.\ #1}
\newcommand{\Mrs}[1]{Mrs.\ #1}
\newcommand{\Ms}[1]{Ms.\ #1}
\newcommand{\Dr}[1]{Dr.\ #1}

% this comes from the memoir class
\newcommand*{\midsloppy}{%
  \tolerance 5000%
  \hbadness 4000%
  \emergencystretch 1.5em}
\newenvironment{midsloppypar}{\par\midsloppy}{\par}